Posts Tagged ‘#marquesan’

Here is some Polynesian work that I’ve done lately as well as some other pieces.

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The goddess of the wind, La’amaomao is holding the ipu (calabash) of the 32 winds of Hawaii. The god Lono, is standing on her legs and is seen behind her. Lono is both the ipu and the winds itself, being the god of fertility and wind, among other things.

Client is a kitesurfer.

Modern Marquesan.

 

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Honu is mainly asthetic with some protection thrown in for good measure.

Ana’ole style.

 

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Shoulder cap of strength and growth imagery that is done to represent the talon of a raptor.

Modern Marquesan and taulima.

 

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Shoulder cap, done Ta Moko style (Maori) with taulima influences. This shows his love of family, strength and courage as well as his love of Hawaii.

 

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Ta Moko style upper calf band meant to protect from harm and to look out for danger.

 

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Side piece donw in modern Marquesan with Ta Moko influences. This piece is represents her travel, ancestors, family and growth.

 

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Modern Marquesan, freehand. This is all about power and retaining mana.

 

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Rapanui style, ‘iwa bird.

 

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Mo’o and Honu.

 

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Blue Heron.

 

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Honu and Big Island.

 

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Father and son matching Ku tattoo’s. I tattooed the father a few years ago and so he wanted his son to have the same.

 

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Modern Marquesan chest piece, cover up.

 

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Modern Marquesan, mata kome.

 

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Olive tree branch. In memory of his daughter, Olive. She passed shortly after being born.

 

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Modern Marquesan and Ta Moko, gauntlet. ‘Iwa lani, love of Hawaii and the ocean, his family and protection.

This week has been all about chest plates!

Two consecutive clients, completely unrelated and unknown to one another chose to get chest plates (and a shoulder piece) to chronicle their lives and loved ones.

I’m very happy with the results and am now so exhausted that all I can do is stare off into space as I contemplate going back to work next week, lol.

Here are the breakdowns of each piece.

Mahalo for looking!

Modern Maori, Marquesan and Hawaiian chest plate and shoulder piece

a) etua hena = hand of ancestor: holding the tattoo fast to the body

b) na ihe = spear(s): a weapon used by warriors, showing his warrior spirit and willingness to overcome

c) ka’ake = upraised arm: the entirety of ‘c’ encloses other elements of the tattoo and gives strength to the motifs that it surrounds. The entire paka represents, po’o kohe, or a section of bamboo. This symbolizes resiliency and tenacity and adds this quality to the symbols contained inside ‘c’

c.1) hala = past: this is the life that he has lived so far

c.2) ano = present: this is the life that he is currently leading

c.3) mua = future: this is his future life

d) mata = eye: this looks out and protects him from impending danger

e) niho = teeth: each tooth symbolizes each one of his children that happen to also be twins

f) koru = unfurling fern head: symbolizes life, breath, growth

f.1) koru = unfurling fern head: along with the above, this also represents his marriage and is in the shape of a heart (over his heart) to show love

g) lau niu = coconut fronds: each frond represents one year of being married (15 total)

h) hope vehine = twin goddesses (of tattoo): protection, union and beauty also acting to hold up this paka

 

 

Modern Marquesan and Maori chest plate done in Samoan taulima style

a) pepehipu = hammered section: this represents a hammered piece of tapa cloth it is inset with niho for protection

b) ihe o nalu = spear of waves: warrior, love of the sea

c) hoku = (shooting) star: illuminates his way forward

d) niho peata = teeth, fence: protective barrier against potential harm

e) koru = unfurling fern head: symbolizes life, breath, growth

f) lau niu = coconut frond: royalty

g) niho = teeth: two teeth joined together to symbolize his marriage, inset into a ka’ake (upraised arm) to give strength to their union

h) lei niho = garland of teeth: to protect from danger

i) mata = eye: this looks out and protects him from impending danger

j) mata tomoe = Death’s head: this is the unicorn of Polynesian tattoo as it was initially seen on the Langsdorff voyage to the Marquesas in the early 1800’s. It was chronicled by an illustration drawn on that voyage but the image was never seen again in future expeditions and any forthcoming information regarding it was ever given. I have re-imagined it, and designed it to be skull-like in appearance. It is said to represent death but also protection from death and acceptance of death, as well.

I did this chest piece a few months back and have been so busy lately that I’m finally getting around to posting the breakdown. He wanted to incorporate the old tattoo (I did not do) into the new piece. When he comes back I will fix the color in it. Anyway, this chest plate is meant to signify his love for his birthplace as well as to commemorate his new journey in life, moving forward. I really enjoy how this all came together and can’t wait to give it another pass when he comes home to visit.

Here is the breakdown:

a) Lau niu (coconut fronds)= this is used to signify noble intentions, peace and to also indicate that he is ‘of’ the land (aina)

b) Niho (tooth)= this symbol represents himself and it is pointing at the area on the Big Island where he lives

c) Koru (unfurling fern head)=  this is to symbolize life and growth; the back side of this image also points toward the area of the island that he lived

d) Mata (eye)= this is meant to protect as it watches over him

e) Lei niho (garland of teeth)= 8 teeth symbolize the state, one for each island in the chain

f) Kofati (crease)= this textile inspired image symbolizes unity, family and connectedness to the land

g) Koru (unfurling fern head)=  this is to symbolize life and growth

h) Po’o kohe (bamboo section)= this symbolizes the plant; resilient, strong and abundant. It also drives away evil spirits

i) Lau hala (pandanus weave)= this textile pattern represents family and island roots

j) Pakiei (crab)= this symbol is often misread as a cross or star, but it is intact a crab analog. This symbol represents his astrological sign but it also represents change, love and rebirth

k) Kai (ocean)= this represents the ocean as this element is important to him. There are 5 waves (nalu) keeping numerical consistency with the Fibonacci sequence

l) Ipu (bowl)= this symbol is a container for mana, or spiritual energy and is placed on the shoulder

m) Mano (bird)= this paka which also contains “p” and “r” symbolizes his new journey moving forward

n) Lau niu (coconut fronds)= this is used to signify noble intentions, peace and to also indicate that he is ‘of’ the land (aina)

o) Ka’ake (upraised arms)= these two arms, essentially opposing one another, symbolizes strength and the warrior spirit

p) Hui niho (teeth union)= this is to fortify the journey that he is on and connects his past with his future

q) Ihe (spear)= this analog is of the weapon and symbolizes a warrior spirit

r) Miti vao (bird foot prints)= the entirety of “m” “p” and “r” signify his current path; his journey. “R” would be the past that he is leaving behind as he moves forward into the future

s) Hena (hand)= this hand analog holds the tattoo fast to the body

t) Lau hala (pandanus weave)= this modified textile pattern represents family and island roots

Thank you for looking!

Aloha!

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Aloha!

I did this piece over the course of two days last week and had a blast! The client was a gentleman from Hilo who was looking for something to speak of his time in the military, his ties to his ancestors and also to show familial ties. It was also important that the tattoo incorporate protection as well as warrior motifs.

He came to me already having researched his family name and discovered that he had an ancestor that was a kumu lua (teacher in the art of Hawaiian hand to hand combat) who had taught skills to ali’i on Kauai during the time of Kamehameha I. He was also a pilot in the Vietnam war and also flew search and rescue with the fire department here in West Hawaii and also created the protocols for the now defunct marijuana eradication program, Green Harvest.

He wanted to tell his story of a warrior, of being descended from warriors and also to pay homage to his family. This piece was an awesome undertaking as I tried to combine all of these elements to create a cohesive piece. I had a blast working with the client and enjoyed immensely they time we spent over the two days that it took to complete.
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Here is the breakdown of the symbols used:

a) maka [eye], this paka contains an eye; one looking forward, the other looking backward to protect from harm in either direction.

b) koru [unfurling fern head], symbolizing growth, life, breath, this gives intention to the piece behind it ‘c’.

c) na niho [teeth], there are 3 large niho, followed by 3 sets of 3 niho, the larger represent his 3 daughters and each set of 3 represent their respective children.

d) unahi [fish scales] love of the sea and for swiftness.

e) manu [bird] this theme is repeated throughout the piece and is a reference to his time as an airplane/helicopter pilot.

f) pepehipu [hammered tapa cloth] this is an armor analog for protection, it is inset with a row of niho at the end that is meant to protect the tattoo from harm.

g) ama kopeka/ahi [fire] this keeps bad spirits away and also acts to illuminate the path of the symbol behind it ‘i’.

h) pili niho [joined teeth] two joined teeth representing the union of him and his wife.

i) manu [bird] this theme is repeated throughout the piece and is a reference to his time as an airplane/helicopter pilot.

j)  lei niho [garland of teeth] there are 2 rows, top and bottom, of teeth, each representing a year of marriage, 50 total, plus one to symbolize many more to come.

k) manu [bird] this theme is repeated throughout the piece and is a reference to his time as an airplane/helicopter pilot.

l) hoka [rays of the sun, rafter motif] this sort of symbol was one of many found carved or painted upon the rafter of a home or dwelling, it represents courage.

m) malu [protection] overlapping diamond shapes are meant to protect as armor.

n) lei-o-mano [string of shark teeth] this club-like weapon was used in hand to hand combat and in this instance is used to indicate his ancestral ties with a kumu lua that taught fighting techniques to ali’i on Kauai during the era of Kamehameha I.

o) ikeike [cyclophyllum barbatum] this hearty flowering shrub of the coffee family was known for its resistance, fortitude and toughness, its wood was also used to make weapons and tools.

p) a’aka hala/lauhala [Pandanus weave] this symbolizes the woven fronds of the hala tree and symbolizes family unity and armor.

q) la’au [club] this symbol represents a club used for combat and is a reference to part of his family name and ancestral past as kumu lua.

r) maka [eye], this paka contains an eye; one looking forward, the other looking backward to protect from harm in either direction.

symbols s,t,u,v,w are considered as one image, and that is the Spirit of War (SoW), which is a direct analog to his ancestor that was a kumu lua. It forms a head in profile, of the SoW.

s) pahiko a tuivi [fish net] this symbol makes up the mouth of the SoW and is intended to catch sin or protect from sin.

t) niho mano [shark teeth] this represents the first of his ‘aumakua, the shark, and makes up the part of the head portion of SoW.

u) naheka kai [sea snake] this represents his second aumakua, the sea snake, the triangle and two dots represent  the pattern on the snake’s skin.

v) hulu pu’eo [owl feathers] this is his third aumakua, the owl.

w) mata hoata [all seeing eye] this makes pup the face of the Sow, it also has an ama kopeka, or flame on the top of its head.

x) ani ata [sky, heavens] this represents his ancestors as well as heaven and the horizon.

y) a’aka hala/lauhala [Pandanus weave] this symbolizes the woven fronds of the hala tree and symbolizes family unity and armor.

Mahalo for your time!

Roland

Aloha!

Just wanted to post the progress shot of a full back piece in progress. This pic was taken on the second day of work, as I broke the piece into halves. The left side was done on day one; the right completed the next day. This piece will also incorporate taulima Samoan elements in the final lower stages, the upper portion maintaining Maori and Marquesan motifs. When it is completed (by July) I will post the breakdown.

Thanks for looking!10407447_10206821465556876_7802924882145582236_n

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This cover up is a combination of Maori and Marquesan motifs that roughly follows a Taulima (Samoan) structure. It does not cover his old gang tattoos completely as I felt that by leaving some of the old tattoo poking through, it could serve as a reminder of sorts, of his past, so that moving forward he could have a reminder so as not to stray from the path of righteousness.
The intent of this tattoo was more aesthetic but it does have a lot of personal meaning to him as well. Growth, protection and strength form the basis for this piece.
The breakdown is as follows:

a) Koru: unfurling fern head, Maori- Life, breath, new beginnings, growth and connection to the earth.

b) Ama kopeka: fire, Marquesan- To illuminate, to cast light upon. Used here to light his path moving forward.

c) Koniho: teeth marks, Marquesan- To protect from evil.

d) Ipu ao: bowl of the earth, Marquesan- Container of mana/power, creation, life, light.

e) Unaunahi: fish scales, Maori- Abundance. bounty of the sea. Here used to represent Hawaii and aloha.

f) Mata: eye, Marquesan- To watch over, protect.

g) Niho: teeth, Marquesan- Used to protect the tattoo and the wearer from harm.

h) Pepehipu: pounded tapa cloth, Marquesan- Worn as armor, covering tattoo underneath.

i) Hope vehine: twin goddesses, Marquesan- Very simplified version of motif meant to give life, protect and symbolize creation.

j) Enana kaake: troop of warriors going to battle, Marquesan- Sacred connection, common bond, fighting for a common cause (simplified version).

k) Hoka: rays of the sun, Marquesan- Courage.

Thank you for looking, and aloha!

Aloha!

I have begun a video series on YouTube, speaking about Polynesian tattoo. This is the first video of the series. I think in total there will be 8 or so videos and I will try to produce one a month. I am asking those that wish to comment, to do so here on my blog to keep all the information in one place. Because I am a cheap bastard I cannot upload video to my blog, I can only provide a link to the video: https://www.youtube.com/watch?v=at0-G5yV5nE

Thank you for your time and aloha,

Roland

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Did this Ana’ole Polynesian style honu on the calf of a gentleman from Canada the other day. He wanted a piece that spoke of his marriage, his two sons, his love of the outdoors and nature, family, protection, new beginnings and love for the sea. The entire piece represents his love for the sea, which is why he chose the turtle in the first place. Super cool dude! Had a blast chatting it up with him and his wife. Hope to see them again soon.

Breakdown is as follows:

a) mata/maka= eyes. These two symbols represent his sons, individually. I placed them on either side of the turtle so that they are positions of observance, to watch out for him.

b) lei e ata te hae= wedding garland. This symbols represents he and his wife’s union, and is essentially a garland of individuals holding hands, connected together as the two families unite.

c) ani ata= sky/heaven/ancestors. This symbol reinforces the bottom symbol (b) and represents his ancestors looking down on him from the heavens essentially protecting and blessing his marriage.

d) kofati= crease/fold/plaiting. This diamond pattern represents a weave of fronds, such as pandanus or palm, and is an analog to nobility and the righteousness of the earth.

e) mata hoata= all seeing eyes. This protective symbol is used to watch out for impending danger and is a more elaborate version of the mata (a).

f) niho=teeth. This symbol of a closed mouth is meant to catch sin and protect as well as offer courage and strength. It is at the front of the turtle shell to protect the symbols the follow it.

g) ka’ake= upraised arms.  These two symbols represent upraised arms that are meant to convey power, force, and generosity.

h) koru=unfurling fern head. This Maori symbol represents the unfurling fern shoot and is meant to convey life, breath, new beginnings and the earth.

i) lei niho= garland of teeth. This motif is the same as ‘f’ only set into a lei, or garland.

All of the symbols are done in Fibonacci sequence in both number and form.

Thanks for looking!

Aloha!

mark_bd mark Aloha! Here is an upper arm/shoulder piece that I finished recently in Hawaiian, Marquesan and Maori styles. This client wanted a piece that spoke of his life’s ordeals, his love of the sea, his children and new beginnings. I did the overall layout in a very subtle Samoan taulima style to better integrate all of the symbols. I kept it the coverage light and airy as opposed to the very heavy aesthetic of the taulima. It can easily added to and will wear better over time. Here is the breakdown of motifs: a) na niho, this collection of many teeth/sins is Hawaiian based and speaks of the obstacles that he has had to endure and overcome throughout his life. b) this combination of kiko (dot) and small dashes representing pohaku (stone) symbolize a beach or shoreline, this is to symbolize the flow from his past challenges (a) into the present, symbolized by the beach. c) kai/nalu, ocean and waves, to speak of his love for the sea. d) mata, eye(s) to look out and protect from harm as he moves into the future. e) lei niho, garland of teeth for protection of the overall tattoo. f) ipu oto, bowl/container, this symbol represents a container of mana (power) as well as creation of the universe. In this particular example I have incorporated 4 mata, 2 above, 2 below for protection. g) kea, turtle, these 2 turtle motifs, (that can also represent a person, enana or a god, etua) are there to symbolize his children. h) koru, these 4 mirror reflected fern heads, represent a new beginning, life and breath. The configuration in this instance is representative of the Maori mangopare, which is a pattern representing the  head of the hammerhead shark. i) henna, hand, this affixes the tattoo to the body. Thank you for taking the time to read my blog! Peace!

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Aloha, and thanks for taking the time to read  my blog.

I did this calf piece the other day; it is a mixture of traditional Marquesan, modern Maori, and modern Hawaiian, done in the modern Samoan taulima style.

Taulima (meaning, armband) is popular in Polynesia right now, and when people think ‘Polynesian’ tattoo, they are often referring to this style.

Taulima combines the weave structure and motifs found in the Samoan pe’a. But because the pe’a process is so time consuming and painful, many people prefer to have taulima instead. That being said, the taulima is not conducive to providing the genealogical information that the pe’a easily conveys and is mainly done for aesthetic purposes.

The main reason for this is because the structure of the pe’a is built upon the structure of the home or dwelling, with the house post (think the main beam of a house), ‘aso e tasi, being the foundation from which the other beams (‘aso fa’aifo, ‘aso fa’alava, ‘aso laitiiti) subsequently radiate from. The pe’a is built on this foundation and is finished off with, at the small of the back, a canoe shaped motif that symbolizes the generations of families of a given individual.

The taulima is not as expansive, nor is the shape, generally placed on the shoulder/chest/arm region, symmetrical and therefore does not lend itself to the elegance of the pe’a. The pe’a, when completed, is meant to resemble the shape of a flying fox, hanging upside down, wings folded against the body.

However, this does not diminish the efficacy of the tattoo! And as you can see, the taulima is something that the artist can have fun with and it looks great too.

This client wanted to have a piece that reflected his spirituality, his love for his children and a new beginnings.

The breakdown is as follows:

a)- papa konane: this lauhala variant is a modern Hawaiian interpretation of the lauhala mat, that symbolizes family, unity and exclusivity

b)- pepehipu: this Marquesan element is a simple band of black. The word means “pounded or beaten” and it symbolizes the flattened bark of the mulberry tree, or tapa (kapa) that was used as a rudimentary armor of sorts. It is meant to protect.

c)- aveau: this Samoan motif is the star of the sea and it is meant to symbolize guidance, spirits of  the deceased and devotion.

d)- ama kopeka: this Marquesan motif represents a flame and represents in this instance, illumination.

e)- mata: this Marquesan motif symbolizes a row of eyes that look forward and backward, up and down,or threats or harm.

f)- ani ata: this Marquesan motif represents the sky, heaven, ancestors and the horizon.

g)- a’aka hala: this Marquesan/Hawaiian motif represents the weave of the fronds of the pandanus tree. It is meant to symbolize family, unity, armor and protection.

h)- koru: this Maori symbol of the unfurling fern head symbolizes new beginnings, growth, life and breath.

i)- poiti and pahoe, these two Marquesan symbols represent this person’s son and daughter, respectively.

j)- hena: this Marquesan motif for the hand is used to affix the tattoo to the body.

Well, I hope you enjoyed the read!

Aloha, Roland